VFX REEL BREAKDOWN 

• "Alita: Battle Angel", Weta Digital (2018)
  Lighting TD; [Katana & Manuka software]
  
  
• "Justice League", Scanline VFX (2017)
  VFX Crew; [3dsMax & V-Ray software]
  
  
• "Teenage Mutant Ninja Turtles", ILM (2016)
  Lighting TD; [Katana & Renderman software]
  
  
• "Power Rangers", Digital Domain (2016)
  Digital Artist; [Maya, V-Ray & Nuke software]
  
  
• "Ant-Man", Method Studios (2015)
  Lighting of Ant-Man & The Wasp; [Maya & V-Ray software]
  
  
• “Something Wicked”, Engine Room (2011)
  Modeled, lit & animated SUV/train collision; [Maya & mental ray software]
  
  
• “Green Lantern”, Sony Imageworks (2011)
  Lighting of Parallax and effects elements; [Katana, Arnold renderer, Nuke compositing]
  
  
• “Black Swan”, Look FX (2010), CGI Lighting Artist
  Develop and light feather bumps on Natalie Portman; [Maya & mental ray software]
  
  

• “Iron Man 2”, Piximondo (2010), CGI Lighting Artist Lighting Iron Man suit;
  [3DS Max & mental ray software]
  
  
• “GI Joe: The Rise of Cobra”, Frantic Films (2009), Lighting TD
  Texture painting and lighting of Nightraven airplane; [3DS Max & V-Ray software]
  
  
• “Charlie Wilson’s War”, Whodoo EFX (2007), Lighting TD
  Look development and lighting of Hind helicopters;
   [Maya, Renderman & Shake software]
  
  
• “Looney Tunes: Back in Action”, Hydraulx (2003), Lighting Supervisor Spy Car sequence; [Maya & mental ray software]
  
  
• “Windtalkers”, Cinesite, (2002), Lead TD
  Look development and lighting of planes (Hellcats);
  [Maya, MTOR (Slim), & Renderman]
  
  
• “Red Planet”, Cinesite (2000), CGI Lighter
  Lighting of AMEE Robot; [Maya, MTOR, & Renderman software]
  
  
• “Thirteen Days”, Cinesite (2000), CGI Lighter
  Lighting of Airplanes; [Maya, MTOR, & Renderman software]
  
  

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