DARREN KINER

CGI   LIGHTING • COMPOSITING • SUPERVISING

LIGHTING FOR ANIMATION

ANIMATION REEL BREAKDOWN

  • "The Willoughbys", Bron Animation for NETFLIX (2020) Lighting CG Supervisor,
    Keyed and Supervised sequences [Katana, Renderman, Nuke]

  • "Storks", Sony Pictures Animation (2016) Lighter/Compositor [Maya, Katana, Arnold renderer, Nuke compositing]

  • “Hotel Transylvania”, Sony Pictures Animation (2012) Lighter/Compositor, Lighting and compositing of sets and characters [Maya, Katana, Arnold renderer, Nuke compositing]

  • “Tommy and the Dream Machine”, Snoot Entertainment (2009) Lighter/Compositor, Lighting and compositing of sets and characters [Maya, mental ray and After Effects]

  • “Meet the Robinsons”, Walt Disney Feature Animation (2007) Shot Finaler, Lighting and compositing of sets & characters (80 shots)
    [Maya, Renderman and Disney proprietary software]

  • “Chicken Little”, Walt Disney Feature Animation (2005) Shot Finaler, Lighting and compositing of sets & characters (80 shots)
    [Maya, Renderman and Disney proprietary software]

  • “The Road to El Dorado”, DreamWorks Animation (2000) Effects Elements Lighter, Crashing the Gate Sequence (30 shots)
    [Maya, Renderman and Dreamworks proprietary software]

  • “The Iron Giant”, Warner Brothers Animation (1999), Technical Director Responsible for Giant character on multiple sequences
    [Maya and Renderman and WB proprietary software]

  • “Fantasia/Tin Soldier”, Walt Disney Feature Animation (1996), Lighting TD Lighting and cleanup of Tin Soldier, Ballerina, and Jack in the Box
    [Alias, Renderman and proprietary software]

 

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